So what is infrared photography? It’s seeing the world in a way most people never will. We’re talking about light beyond what the human eye can register—light that exists, that hits every surface, but goes completely unnoticed. Regular cameras are built to block it out. But with the right gear? You can tap into it. And the result? Unreal.

I shoot infrared on a Canon EOS R that’s been full-spectrum converted by Kolari Vision. That means the sensor sees everything—visible light, ultraviolet, and infrared. I use filters to cut the noise and dial into that near-infrared range, usually between 500–900nm. What that does is flip the world on its head. Green leaves glow white. Skies go pitch black. Skin smooths out into porcelain. It’s ghostly, surreal, almost dreamlike—but it’s real.

It’s just a version of reality no one else is paying attention to.

Infrared isn’t some gimmick. It’s a whole other dimension of light. One that demands you slow down, think differently, and shoot with intent. And for me? That’s exactly the point.